terminology [edit ]
The term media asset management ( MAM ) may be used in reference to Digital Asset Management when applied to the sub-set of digital objects normally considered “ media “, namely audio recordings, photos, and videos. Any editing process that involves media, specially video, can make manipulation of a MAM to access media components to be edited in concert, or to be combined with a survive feed, in a fluent manner. A MAM typically offers at least one searchable index of the images, audio, and videos it contains constructed from metadata harvested from the images using practice recognition, or input manually. [ 2 ]
management [edit ]
universe [edit ]
Applications implement digital asset management by importing it from the analogue and/or digital domains ( by encoding, scanning, ocular character recognition, etc. ) or by authoring it as new object. [ 3 ]
Indexing [edit ]
A primary function of a DAM arrangement is to make assets easily available to its users by providing a searchable index that supports retrieval of assets by their content and/or metadata. [ 4 ] The catalogue function is normally part of the consumption serve for new assets. [ 5 ]
Reading: Digital asset management – Wikipedia
Workflow [edit ]
Digital assets will typically have a lifecycle, which may include respective states such as creation, approval, live, archive and deleted .
version control [edit ]
much a DAM system will store earlier versions of a digital asset and allow those to be downloaded or reverted to. Therefore, a DAM arrangement can operate as an advance character of version control system .
Access control [edit ]
finally, a DAM organization typically includes security system controls ensuring relevant people have entree to assets. This will frequently involve consolidation with existing directory services via a engineering such as one sign-on .
categorization [edit ]
Smaller DAM systems are used in a particular operational context, for case in video production systems. The samara differentiators between them are the types of stimulation encoders used for creating digital copies of assets to bring them under management, and the output decoders and/or formatters used to make them available as documents and/or on-line resources. The metadata of a content item can serve as a guide to the selection of the codec ( s ) needed to handle the subject during serve, and may be of consumption when applying access see rules to enforce authority policy. [ 6 ] Assets that require particular technology to be used in a work flow need to have their requirements for bandwidth, latency, and access control considered in the plan of the tools that create or store them, and in the architecture of the system that distributes and archives them. [ 7 ] When not being worked on assets can be held in a DAM in a diverseness of formats including spot ( binary big object in a database ) or as a file in a normal file arrangement, that are “ cheaper ” to store than the form needed during operations on them. This makes it possible to implement a large scale DAM as an assembly of high performance processing systems in a network with a high density storage solution at its center. [ 8 ]
Media asset issues [edit ]
An asset can exist in several formats and in a sequence of versions. The digital version of the original asset is generally captured in equally high a resolution, color depth, and ( if applicable ) frame rate as will be needed to ensure that results are of acceptable quality for the end-use. There can besides be thumbnail copies of lower choice for habit in ocular index.
Metadata for an asset can include its box, encoding, birthplace, ownership and access rights, and placement of original creation. It is used to provide hints to the tools and systems used to work on, or with, the asset about how it should be handled and displayed. [ 9 ]
Types of systems [edit ]
Digital asset management systems fall into the follow classifications : [ 10 ]
- Brand management system to enforce brand presentation within an organization by making the approved logos, fonts, and product images easily available.
- Library or archive for bulk storage of infrequently changing video or photo assets.
- Media asset management systems for handling assets in the audiovisual domain including audio, video, or still images.
- Production management systems for handling assets being created on the fly for use in live media production or as visual effects for use in gaming applications, TV, or films.
- Streaming for on-demand delivery of digital content, like TV shows or movies, to end users on behalf of digital retailers.
All of these types will include features for work-flow management, collaboration, project-management, and rewrite dominance .
See besides [edit ]
References [edit ]
far understand [edit ]
- Diamond, David (2012). DAM Survival Guide: Digital Asset Management Initiative Planning. DAMSurvivalGuide.com.
- Krogh, Peter (2009). The DAM Book, Second Edition. O’Reilly Media. ISBN 978-0-596-52357-2.
- Austerberry, David (2006). Digital Asset Management, Second Edition. Focal Press. ISBN 0-240-80868-1.
- Jacobsen, Jens; Schlenker, Tilman; Edwards, Lisa (2005). Implementing a Digital Asset Management System: For Animation, Computer Games, and Web Development. Focal Press. ISBN 0-240-80665-4.
- Mauthe, Andreas; Thomas, Peter (2004). Professional Content Management Systems: Handling Digital Media Assets. Wiley. ISBN 0-470-85542-8.
- Elizabeth Keathley (2014). Digital Asset Management: Content Architectures, Project Management, and Creating Order out of Media Chaos. APress. ISBN 978-1430263777.